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- SOMAMOVES, LIVIA CALICE, somamoves.at, - Feldenkrais - Coach - Senior - Somatic - Movement

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- SOMAMOVES, LIVIA CALICE, somamoves.at, - Feldenkrais - Coach - Senior - Somatic - Movement

SOMAMOVES, LIVIA CALICE, somamoves.at, - Feldenkrais - Coach - Senior - Somatic - Movement

Livia Calice

Feldenkrais Practitioner

Senior Feldenkrais Trainer

During the pandemic, like so many practitioners, I stopped giving face-to-face lessons. After three years, I am happy to announce that I will be giving a series of classes and workshops this summer in Vienna.

 

SOMAMOVES

Today, Feldenkrais is referred to as “The Feldenkrais Method of Somatic Education” or “The Feldenkrais Method for Somatic Learning.” These terms are familiar to those working in the field but not particularly helpful to the general public. Personally, I am a fan of the somatic idea, and I have renamed my private practice to make the concept of soma accessible to everyone. Soma is the uncharted power of our subjectivity. Every human being has to relate to the objective, measurable aspects of our material body, while our subjective way of making sense of our experience of movement is unique to each individual. The essence of Feldenkrais is to bridge the gap between the visible and the invisible. In fact, they build on each other so that the person moves with greater ease, discovering what is the better option for him or herself.

 

As a practitioner, I am pragmatic. I have seen a lot and learned a lot, and I am able to attune myself to many of the needs of those who come to see me.

 

During the first year of our training in 1984, my perceptive Brazilian friend remarked, “Feldenkrais was only himself.” It was clear to her from the outset that we who come after him are interpreters of his work, each of us in her or his own way. What, then, does it mean to teach a method that has transformative potential? Feldenkrais professionals pass on what worked for them. They keep learning from their students and their seniors while remaining themselves. In the short texts presented in these pages, I introduce the reader to my personal bias, explaining why the Method is so eminently adaptable.

 

SOMA

Over the last 100 years, the term SOMA has come to mean the living body; the body of our lived experience. It is everything we call “I, me, myself.” It is not a thing, but rather individual, unique mind-body processes constantly adapting, rebalancing, and renewing. Its most obvious characteristic is the constant movement of the body.

 

In a baby or a small child, you can most clearly see the power of such animation. They learn how to move their bodies and follow their interests. In a nurturing environment, they do just what they want and resist what they don’t. They grow and develop as one somatic process. SOMA is the only reality at the beginning of life in the gravitational field. Like all things in nature, it is non-linear. Thus, SOMA, as I understand it, works not only as a concept of the “living body,” but also as a representation of the pre-verbal, multi-dimensional self.

 

Fortunately, we can regain access to this most basic level of our being throughout our entire lives. In this regard, the work of Moshé Feldenkrais is extremely important. He undertook a precise study of body movement with the scientific understanding of an accomplished mechanical and electrical engineer. These are important underpinnings of the practical method of movement training he created. His method was groundbreaking and has proven to be very effective. He uses language rather than demonstration to direct the attention of the participants in his courses; he guides them to translate his directives into physical action in their own ways. Thus, each person can discover independently what feels right, comfortable, easy to do, pleasant, and possibly elegant. Quite naturally, you learn to hone your judgment. Your movement and your frame of mind change together as one.

SOMAMOVES, LIVIA CALICE, somamoves.at, - Feldenkrais - Coach - Senior - Somatic - Movement
CV /BACKGROUND

Ausbildungen /Education, Trainings:

 

Academic: Lycée Français, Wien, Baccalauréat; Romanistik und Kunstgeschichte, Universität Wien; Master of Arts in Modern Foreign Languages, French, Boston University.

 

Richtungswechsel/Change of Direction: Musik, Bewegung und Tanz - ORFF Institut, Mozarteum, Salzburg; Laban Center, Summer School, London; Bharata Natyam, Südindischer, klassischer Tanz, Wien und Madras (Chennai), Indien; Body – Mind Centering, Basic Principles and Techniques, Amherst, Mass.; Sezierkurs MedUniversität, Wien;Feldenkrais Professional Training Program, Toronto, Ca – Diplome: „Feldenkrais Practitioner“, „Assistant Trainer Certification”, „Trainer Certification“;

 

Feldenkrais/ Work Experience and Administration:

 

Lehrtätigkeit/ Teaching: TheaterAngelusNovus, Wien; Musikkonservatorium Wien; Shambhala, Tai Chi Zentrum, Wien; Internationale Tanzwochen, Wien; Max Reinhardt Seminar, Wien; Neue Universität Sofia „Theater Department“, Bulgarien; „DAMS“, Universität Bologna. Member of training teams  in Professional  Feldenkrais Training Programs in Rome, Milan, Munich, Palermo, Berlin, Sussex UK, Paris, Lyon, Vienna, and Tokyo. Administration: Initiatorin und Trainingskordinatorin der Feldenkrais – Studiengesellschaft, Wien; Gründungsmitglied des Österreichischen Feldenkrais Verband, Wien; jahrelanges Mitglied des EUROTAB – European Training Accreditation Board Feldenkrais.

 

Meine Quellen/ Impacts :

 

Nisargadatta Maharaj (Advaita Lehrer), Kama Dev (Tänzer), Shyamala (Tänzerin), Padmashri Adyar K. Lakshman (Tanz Guru), Bonnie Bainbridge Cohen (Body Mind Centering), Emily Conrad Daoud (Micromovement)

 

Feldenkrais Trainers: Myriam Pfeffer, Gaby Yaron, Franz Wurm, Carl Ginsburg, Mia Segal, Mark Reese,  and Jeremy Krauss with Jeremy Krauss Approach (JKA)

 

BÜCHER/BOOKS for INSPIRATION

 

Monkeys Pilgerfahrt

Redaktion Arthur Waley

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Gurdjieff Reconsidered

Roger Lipsey, Shambhala, Boulder 2019

 

Kinaesthetic Knowing

Zeynep Çelik Alexander, The University of Chicago, 2017

 

The Spinal Engine

Serge Gracovetsky, Springer Verlag/Wien, 1988

 

ganz ohr / all ears

Ricarda Denzer, Edition Angewandte, Wien, 2024

 

The Eyes of the Skin

Juhani Pallasmaa, Ed. 2012

 

The Thinking Hand

Juhani Pallasmaa, Ed. 2009

 

Der unwissende Lehrmeister

Jacques Rancière, dt. Ausgabe 2007, Passagen Verlag, Wien

 

The Intelligence of Moving Bodies

Carl Ginsburg, 2010, Aware Press, USA

 

A General Theory of Love

Th. Lewis / F. Amini / R. Lannon; Vintage Edition, 2001, New York

 

A Dynamic Systems Approach to the Development of Cognition and Action

E. Thelen; / L. B. Smith; MIT Press, Mass., USA, 1994

 

Potenzialentfaltung bei Kindern mit besonderen Förderbedarf

Jeremy Krauss, 2023 Hogrefe Verlag, Bern

 

Nourrir sa vie: A l`écart du bonheur

François Jullien ; Points, Fr, 2015

 

Moshe Feldenkrais : A Life in Movement

Mark Reese, Vol. 1; Reese Kress Somatics Press, USA, 2015 

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​“Perfection is not necessary.
Perfection you cannot have.
If you do what you want to do, and what you can do,
and if you can then recognize it, you will be contented.
You cannot possibly know what it will be, but looking back 
you will not be surprised at what you have done.”

 Agnes Martin, Artist, New Mexico, USA

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Hier noch mein Dank an alle helfenden Geister, die zur Entstehung dieser Website beigetragen haben, ihr wisst, ihr seid immer willkommen in meinen Kursen.

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